Music by: BenoÃ®t Jutras
Directed by: David Mallet
Starring: Audrey Brisson-Jutras, John Gilkey, Natalia Pestova, Edward Skwirsky, Matthew Baker
- Trailers for Dralion and Journey of Man
Released by: Sony
My Advice: Own it.
A young girl (Brisson-Jutras) is bored out of her mind. She’s wandering about, her parents oblivious to her comings and goings, wrapped up in their own respective little worlds. Then a knock comes at the door. She opens it to reveal a tall headless man, bearing an umbrella and a hat. When he leaves the hat, the girl puts it on–this unleashing a strange fantasy world that becomes her new reality.
Recorded live in Amsterdam, there’s really not a slack act among the bunch. You have the German Wheel, little girls wielding Diabolos (i.e. large flying yo-yo projectiles), the obligatory but always breathtaking “Aerial Contortion in Silk”, what looks like extremely clean extras from Les Miz working with skipping Ropes, Aerial Hoops, Clowns, Hand-balancing, Spanish webs, the strength-balancing act called Statue, Cloud Swing, and another group balancing routine called Banquine. And while admittedly there’s no substitute for seeing the show live, director Mallet and multiple cameras manage to make this the next best thing.
As for extras, there’s nothing to be had. Two trailers for other Cirque titles and that’s it. While it appears that they’ve corrected this sparse feature list on later releases, it’s just a damn shame they didn’t catch these people for some interviews while they had a chance. For example, this Gilkey character (his website appears to be down for the time being) seems like he’d be a helluva lot of fun to interview. Or the costume designer, set designer–or even the star (if the show could be said to had one–perhaps center is a better word), Brisson-Jutras. “How was it work on a show that your dad produced the score for?” Even a gallery of costume design sketches would have been nice. But alas.
Anyway, this is definitely an entry point for Cirque for people who don’t know why they should pay the big bucks to go check out the show live. Because as good as it is on here–it’s much better under the big top.