Written by: NiccolÃ² Ammaniti and Francesca Marciano, based on Ammanitiâ€™s novel
Directed by: Gabriele Salvatores
Starring: Giuseppe Cristiano, Mattia Di Pierro, Aitana SÃ¡nchez-GijÃ³n, Dino Abbrescia, Diego Abatantuono
Released by: Miramax
My Advice: Rent it.
Michele (Cristiano) is doing what most kids did during the summer before the popularity of console gaming, playing aimlessly with his friends. Amidst the wheat fields of southern Italy riding his bike and participating in the innocently cruel games children do, Michele comes across something, or rather someone that will change how he sees the world. In a hole in the ground covered by a sheet of metal is a dirty half-crazed boy, Filippo (Di Pierro). Who this boy is and what his connection is to Micheleâ€™s parents (Abbrescia, SÃ¡nchez-GijÃ³n), and their new â€˜house guestâ€™ Sergio (Abatantuono) will make Michele makes adult decisions and conclusions and take horrible risks so someone so young.
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Everyone gets a chance to show their talents and you donâ€™t feel anyone is there simply to pad the scene. I was really impressed with Di Pierro who plays the kidnapped boy Filippo. Depicting someone who has been underground for days, half mad with privation and the total darkness is a challenge for an adult actor, but this kid manages to pull it off. The cinematography deserves a special mention with the amazing vistas of yellow wheat fields as far as the eye can see. This is obviously to juxtapose the darkness of the underground and the deeds done. However, under that you almost feel the heat of summer making everything dry and brittle, almost fragile. The fields may look like a golden carpet, but the individual stalks can snap so easily. That layering shows the director is willing to give us more than a paint-by-number Hollywood thriller.
Given the density of this movie, it is extremely irritating that there are no special features. I would have loved to hear a commentary from the author on how he handled taking the book and turning it into film or the hidden meanings behind the visuals he used. Not even a behind the scenes featurette on how the children dealt with such dark material. So even though this is a good movie, I can only recommend Iâ€™m Not Scared for rental if you know you canâ€™t see it on cable or your local art house, if you have one.