CSI: The Complete Fifth Season (2004) - DVD ReviewPosted on 05.17.06 by ScottC @ 3:21 am
Comments on this: nada. Add your own. File Under: Reviews and TV. Taggified as: crime, CSI, DVD, eric-szmanda, forensics, Gary Dourdan, George Eads, jorja-fox, marg-helgenberger, Reviews, television, william-petersen Film: Created by Anthony E. Zuiker Features:
Released by: Paramount. My Advice: Rent it if you haven't already caught it on TV.
When you get to the fourth or fifth season of a popular series, producers get concerned. They consider changing some elements to keep the show from getting stale, but they don't want to mess up the formula that made the show a success in the first place. In this season of CSI, they seem to have achieved that balance between inventiveness and stability. For example, splitting up the team seems to be a big change. Catherine's promotion to supervisor changes how she relates to her coworkers and vice versa. If you think about it, though, it really isn't that much of a change. In most episodes, the team usually splits up, half of them solving the 'A' story, the other half solving the 'B' story. So the usual dynamics are maintained while still introducing new plot directions. Another way the series adds variety without overshadowing the tried and true formula is through the supporting cast. In most crime dramas, the various coroners and police officers are just there to give exposition, never developing above one dimension. But this show gives their supporting characters more nuance so the various plot points and clues are more attention-grabbing and entertaining and not just a throwaway scene. The variety of character interaction is also increased and this helps the main characters from getting overused and gives the writers a bigger toy box to play with. It also helps to grow new characters organically and avoid jumping the shark. We see former DNA technician Greg Sanders finally get to work out in the field with the rest of the team and even Captain Brass (Paul Guilfoyle) gets an episode focused on him. It also helps to have available characters to come in if one of the actors leaves to focus on a movie career or happens to oversleep during contract negotiation time. This balancing act is indicative of the level of quality the series exhibits. As in last season's set, there are plenty of episode commentaries to listen to. However, we have several commentaries with some of the actors, an improvement from the last set. Not only do we get how writers, directors, and producers develop episodes from the initial story meeting to adding the computer graphics of a gunshot wound to the stomach, we also had Marg Helgenberger, George Eads, and Jorja Fox on hand to give their two cents. For the most part the discussions are informative, although they have a tendency to get involved in watching the show and not commenting on it. There is also a featurette detailing some of the changes and highlights of this season. They talk about some of the things I've already mentioned as well as some of the more special episodes where the show explores subculture outside of the everyday like transgenderism, the narcocorrido or "drug ballad," and big beautiful women and the men who love them.
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