Directed by Shekhar Kapur Written by Michael Hirst Starring Cate Blanchett, Joseph Fiennes, Geoffrey Rush, Christopher Eccleston, Richard Attenborough
My Advice: Don’t Miss It.
Henry VIII is dead and Queen Mary Tudor (Kathy Burke) isn’t feeling too good herself, which leaves young Elizabeth (Blanchett) to take the throne. There are some complications, not limited to the fact that she is Protestant in a land of Catholic rule and also the fact that she loves Robert Dudley (Fiennes) despite many attempts by her head advisor, Sir William (Attenborough), to get her to marry someone else and get on with the business of producing an heir.
First and foremost, a big round of applause to not only Kapur for orchestrating this enjoyable historical jaunt, but Remi Adefarasin for the evocative cinematography, Alexandra Byrne for the gorgeous costume design, and John Myhre for the beautiful production design. They all provided the environment for the movie to work in, and damn if they didn’t do jobs worthy of multiple Oscar nods. Voluminous rooms, strategic use of curtains and lighting, and absolutely stunning garb work with the unique camera angles to bring England of the day to light.
Written by: John Carpenter, Don Jakoby & Dan Mazur, based on the novel Vampire$ by John Steakley Directed by: John Carpenter Starring: James Woods, Daniel Baldwin, Sheryl Lee, Maximilian Schell, Thomas Ian Griffith
My Advice: Wait for Cable.
Two films that actually have vampires in them instead of “hemocytes” (I’m not bitter) came to theaters this year. This, the second of them, really threw me for a loop. James Woods plays a master vampire slayer who has possibly met his match in Valek (Griffith), the numero uno master vampire who kicks ass like nobody’s business. Valek apparently wants to find a religious relic that will help him and his vampire hordes become unstoppable.
In the film’s favor, we do have a good performance from Woods (along with some killer lines pointed toward the state of vampires in cinema) and a fairly good phoned-in walkthrough from Baldwin. I’m not exactly sure why Schell took this role, and neither is he. The two acting jobs worth mentioning are the two that had the least potential. Sheryl Lee is very good at being feral–thank you. Griffith makes a menacing master vamp, but isn’t given much to do other than tear people in half and get shot. To his credit, he does this well.
Written & Directed by: Gary Ross Starring: Tobey Maguire, Reese Witherspoon, William H. Macy, Joan Allen, Jeff Daniels
My Advice: Matinee.
The real world sucks. We all know it’s true. And David (Maguire) is so clued into this fact that he retreats into reruns of his favorite show, Pleasantville, which he watches religiously. No Pleasantville trivia can get past him. One night, due to an altercation with his trendy MTV-watching sister Jennifer (Witherspoon), their television is broken. Neither can get to the shows they want to watch. Just in time, a mysterious TV repairman (Don Knotts) shows up and fixes the TV. He fixes the two of them as well, setting them up to be zapped into Pleasantville, playing the part of the son and daughter. What happens when imperfect people are injected into a sterile perfect world? And what’s the definition of perfect anyway?
Written by: Charles Leavitt, based on the novel Freak the Mighty by Rodman Philbrick Directed by: Peter Chelsom Starring: Elden Henson, Kieran Culkin, Gillian Anderson, Harry Dean Stanton, Sharon Stone
My Advice: Don’t miss it.
It’s movies like this that make all the other crap I’ve had to wade through this year almost worth it. Max (Henson) is literally a gentle giant in the seventh grade (for his third crack at passing the year) and a pacifist though he doesn’t know what that means. The boy is with a great largeness, and I mean he’s built like a truck. He generally keeps himself to himself and doesn’t want to make waves, cause trouble, or even live it almost seems like. Then a woman (Stone) moves next door with her son, Kevin (Culkin). Kevin seems like a junior Stephen Hawking in the brain department, and like the illustrious Dr. H, his body isn’t working so good. He has a degenerative illness that retards his bone growth while his internal organs all keep right on going. He’s in a leg brace and crutches. But still he’s courageous and takes his cues from King Arthur, wanting to be chivalrous and go about accomplishing good deeds. The movie relates how these two misfits become partners and even to a degree a single entity, which they dub “Freak the Mighty,” and how together they’re able to bring to the table what the other is lacking. As Kevin puts it, Max needs a brain and Kevin needs legs. What a deal, right?
Written by: Todd Alcott & Chris Weitz Directed by: Eric Darnell & Laurence Guterman Starring: Woody Allen, Sharon Stone, Sylvester Stallone, Gene Hackman, Christopher Walken
My Advice: Don’t miss it.
Z (Allen) is an ant that is, well, Woody Allen. So you can understand that when we meet him, he’s neurotic, complaining about being the middle child in a generation of millions, and only able to lift ten times his own body weight. He feels out of place as a worker, where all he does all day is move earth and hate his life. But then he meets the princess of the colony, Bala (Stone), and everything changes.
This movie is not only funny (and quite funny at that), it also has quite a bit of social commentary going on. And it gets major points for doing so in a way that isn’t a forced “Think for yourself, schmuck!” like Robert Anton Wilson might say. Don’t get me wrong, that certainly has its place, but I never did like a movie’s message to be delivered like they used to at the end of each Super Friends episode. And I hope they killed that purple monkey. But I digress.
Written by: David Mamet (writing as Richard Weisz) and J.D. Zeik, based on a story by J.D. Zeik Directed by: John Frankenheimer Starring: Robert DeNiro, Jean Reno, Natascha McElhone, Stellan SkarsgÃ¥rd, Jonathan Pryce
My Advice: Rent it.
Ronin begins with a definition of the title (in a really crappy font, nonetheless). For those who don’t know, a ronin is a masterless samurai. My first thought was that the film was beginning in a deficit. “Why explain the title up front? Why not have it explained during the course of the movie?” To my great chagrin, they did explain it again, I guess for those that were busy at the concession stand and missed the opening of the film. That’s pretty much indicative of the rest of the film, I fear.
The call goes out from Deirdre (McElhone). She needs people to go and grab a mysterious case which apparently contains the soul of Seamus (Pryce). I’m kidding. Who shows up? A cool and collected bunch of mercenaries, and Sam (DeNiro), an American former CIA agent, becomes their impromptu leader. Simple, right? Take a case away from some guy. Easy pickings, right? Well, not really.
Written by: David S. Goyer, based on the Marvel Comics character created by Gene Colan & Marv Wolfman Directed by: Stephen Norrington Starring: Wesley Snipes, Stephen Dorff, Kris Kristofferson, N’Bushe Wright
My Advice: Don’t Miss It.
I’d like to say a big thank you to Wesley Snipes. You see, I was looking forward to a number of films this summer. Deep Impact was my Number One Movie to Look Forward To this year, and you know how that turned out. Blade was the last bastion of hope that I allowed myself, that one movie would be just as good as I thought it should. And damn, if you didn’t pull it off, Wes! I’ve even forgiven you for Passenger 57, this flick was so good. I’ve seen Blade twice, for pity’s sake, having felt the need to drag some friends along for the ride the next time. Sigh. Okay, enough euphoria–it’s just the summer stock has sucked this year, and to finally get a decent film is….overwhelming.
Okay, the synopsis is this: Blade (Snipes) is half-human, half-vampire, going about kicking vampire tush with the help of his particular Kenobi, Whistler (Kristofferson). However, his arch-nemesis, Deacon Frost (Dorff), wants to topple the bloodsucking hierarchy that exists and bring something really, really nasty over from the other side.
Written by: Lewis Friedman, Robert LoCash, Jeff Wright & David Zucker Directed by: David Zucker Starring: Trey Parker, Matt Stone, Yasmine Bleeth, Robert Vaughn, Jenny McCarthy
My Advice: Matinee.
There is a subgenre that has been suffering recently. That’s right, it’s called “Damn Silly Movies.” We’ve been torn between Mel Brooks, whose last semi-inspired foray was Spaceballs back in 1987, and Leslie Nielsen, who hasn’t had a really funny one since the first Naked Gun back in 1988. I’m pleased to announce that this movie is downright damn silly, and it’s funny…all the way through to the other side. I know, I know. You’re skeptical because you’ve been burned before. But go with me on this one.
Directed by: David Nutter Written by: Howard Gordon & Scott Michael Rosenberg Starring: James Marsden, Katie Holmes, Nick Stahl, Bruce Greenwood, William Sadler
My Advice: Wait for MST3K.
Welcome to Cradle Bay, a nice little town that Steve (Marsden) and his family move to in order to get away from the past. There he meets goth girl couldhavebeen Rachel (Holmes), perennial outcast Gavin (Stahl) and a bunch of Blue Ribbons, the nice well-to-do overachievers who seem to run everything. However, the Blue Ribbons and the school guidance counselor Dr. Caldecott (Greenwood) have a sinister secret, one that will shake the pillars of heaven and bring hell to earth in the form of STEPFORD TEENS!
Jesus, what a piece of garbage. You’d think once I said “The Stepford Teens” you would know just how bad the film was going to be. No, believe me, it’s worse.
Written by: Ed Decter, Bobby Farrelly, Peter Farrelly & John J. Strauss Directed by: The Brothers Farrelly Starring: Cameron Diaz, Matt Dillon, Ben Stiller, Chris Elliott, Lee Evans
My Advice: Rental.
The hypemonster rides again in this highly irreverent and also highly unfunny movie, which many are touting as the funniest movie of the decade. Granted, from the trailer you would think that was the case. Unfortunately, the trailer’s got the majority of the best parts of the film in it and comparing this to other movies that were actually funny is insulting. But first, a word about the plot. Ted (Stiller) is the nicest loser you will ever meet. He’s been carrying a thirteen-year crush on Mary (Diaz), and who can blame him? She doesn’t wait for you to ask her about coming up to see your etchings, she wants you to come up and watch Sportscenter. He hasn’t seen her in the same amount of years, ever since he got his member (although it’s referred to by a fairly funny Keith David as a particular food) caught in a zipper on the night of Prom. Ted hires Pat (Dillon) to go find her, and when he does, Pat falls for her as well. Because of the title, of course.