It's Episode #155 for World War Z, in which our protagonist manages to separate the book from the film, manages to get invested in the film despite the shitty rubber digital zombies, and then manages to think logically about certain aspects of the thing, which just blows it all to hell. [[ More This Way... ]]
Language is power. Granted, power is also power. But in this case, for the sake of argument, language is power. And if you have a solid mastery of the language, you can harness that power and bend it to your will. Not in a ha-ha flying monkeys sort of way, but more in a pre-Parallax-silliness Hal Jordan kind of way. And if there's a language equivalent of a tiny blue guy with white hair who floats around and talks funny...it's Aaron Poole, Guardian of Verbiage. Recharge your vocabulary with his battery of linguistic power! Accept no substitutes! This word is one you can use! In conversation! When you're trying to stick a random word into a password, thinking that will make it more secure! You can even use it on Twitter and Facebook! And the best part is: this word is free for you to use and share! It is guaranteed DRM-free.
We hope you will join Aaron as he re-edits the Ryan Reynolds comic book adaptation of ignorance into the watchable film of knowledge...with the editing suite that is language. [[ More This Way... ]]
James Gandolfini died this week of a heart attack at the way too young age of 51. Thespia found this clip for us, coming up after the jump. You have to love it when a tough guy actor doesn't have a problem subverting his own image.
Orphan Black is the story of a woman who watches herself die.
Wait, that's not quite it.
Orphan Black is the story of a mother struggling to connect with her child. Or is that two mothers? Or three? Four mothers? Two Children? Hm.
Orphan Black is the story of eight clones, living together, under one roof... No, wait, that's also wrong.
Developed for television by Graeme Manson and John Fawcett and airing on BBC America in the US, and Space in Canada, Orphan Black explores questions of choice, identity, free will, technological progress and freedom and belief, in a setting and with a cast which make every beat intense and every conversation as terse, or endearing, or incredulously aware of itself as it needs to be. Orphan Black is a story that asks the question, "What would you do if you knew, in your heart, in your mind, in your very being, that you were unique, original, youâ€¦ and then found out that you weren't quite as you as you thought you were?"
I recently got the opportunity to have a talk with head writer and co-showrunner Graeme Manson about the philosophical concepts, world events, and other wells from which he draws in order to craft the arc or Orphan Black's story. Why don't we let him tell you what it's all about:
There's a lot of stuff that comes out all the time, and the companies are want your attention and mostly...your coin. But, you know, it's your coin and you have to take care where you spend it. With these posts we try to take you through recent releases so you can make up your mind. If you find the info here to be of use, do us a favor and purchase stuff from Amazon through us. Especially if you were going to buy the stuff anyway. That gives us kickbacks, which help pay for things. Like the server. And coffee. And therapy. We thank you.
It's a well-timed coincidence that a group of thieves made off with tens of thousands of dollars from a Justin Bieber concert in Johannesburg just days after the release of Monaco: What's Yours Is Mine on Xbox Live Arcade. Apparently, they rappelled and chiseled their way into a vault room at the stadium while the concert was happening. I'm not usually one to root for the bad guy, but these heist-type crimes are undeniably cool (especially when they happen in real-life), and Monaco lets you step into the shoes of shady players who pull off big scores.
Unlike the Johannesburg criminals, though, there's nothing realistic about Monaco's band of crooks. They play to the classic heist movie archetypes--such as the Locksmith, the Hacker, the beautifully distracting Redhead, and the wily Cleaner, who uses chloroform to knock out guards. Though the characters may be slightly cliched, the game design itself is anything but. Monaco is a top-down action game that mixes elements of stealth, twin-stick shooting, and well-timed strategy. Your goal on each level is simple: get to your goal (typically money, or a person or object of value), and then escape. Sounds easy, right? Well, there's a bit more to it than that.
It's Episode #154 for Man of Steel (2013), in which our protagonist finds himself fighting the very thing that gives Superman his powers (what else is new?), is amazed he can believe that somebody besides Christopher Reeve can fly and, amazingly, gets tired of watching cities get punched in the face. [[ More This Way... ]]
It's Weekend Justice: the Internet's #1 audio trainwreck--the podcast that didn't go back in time just to see what giant tortoises actually taste like...until it did, and now it has. It's one of those timey whimey yummy tummy sort of things. You know.
We've all had to try and make the best of a bad situation. And sometimes you have to take whatever kind of edge you can lay hands upon. In some cases, you might just need to be satisfied with the fact that you not only know how screwed you are but you can express it fully and intelligently. So yes, even when something important is broken, it's good to have some words at your disposal. And we just so happen to know a man who's in the business of word delivery. Without further ado, it's Aaron Poole! Accept no substitutes! This word is one you can use! In conversation! When you're trying to give your Siri a run for her/its money! You can even use it on Twitter and Facebook! And the best part is: this word is free for you to use and share! It is guaranteed DRM-free.
We hope you will join Aaron as he slaloms down the slope of ignorance using the skis of knowledge, all while restricting heat loss via the skull with the toboggan of language. [[ More This Way... ]]
It's Episode #153 for After Earth, in which our protagonist finds himself not despising M. Night the director but wishing the director had fired M. Night the co-writer. He also is even more confused than usual about science and wonders about attacking beasts with a giant morphing cocktail stirrer. [[ More This Way... ]]